The Music Trust's Knowledge Base combines two big tasks:
*To complete the analysis of the present status of all music in Australia — culturally, socially, economically and politically. Music faces formidable competition from numerous other activities, especially in the economic and political areas. What's more, the globally open music market makes it subject to huge threats and opportunities.
*Since 2014, the Knowledge Base has developed four scenarios to 2035 ranging from "best" to "worst" case — the chart shows a very wide range with no certainty of what can happen if no action is taken. Uncertainty starts at the global level. International politics and economics follow unpredictable directions, affecting individual countries and their respective economic and cultural sectors.
The first of fourteen scenario papers outlines the vision and also contains a list of the subsequent papers (paper #15 is in the pipeline). The four scenarios, with numerical forecasts for each, will be published as a Music Trust e-book in mid-2016. This will provide a means for corrective planning to secure the best possible solution for all activities, including the music sector — how to promote the best and shun the abysmal. The project is a world first for any artform.
Complex Adaptive Systems (see middle column of this page) is a basic part of this research. Again, applying it to an artform is a world first.
The scenario papers form the category "Scenarios for the Future", which is found by clicking on Browsing on the menu bar above, then on All Categories.
Reflection should make anyone realise that culture is literally beyond valuation. One can put an economic value on traded goods and services and perhaps estimate other services derived from our great and indispensable cultural and ecological assets and ecosystems, but much remains out of reach. This is important for our music sector scenarios. Much ecological and cultural damage is beyond measurement. Learn more...
This is not news but our "money pig" keeps an essential issue open. Funding has been declining for several years now and institutional funding arrangements are under threat. We can hope that positive changes will happen under the Turnbull government but not too much is visible yet. Learn more...
Full list here .... Selected summaries below.
The report of the Higher Education Base Funding Review found that, according to its own “Enduring Principles”, university music courses needed more resourcing but then omitted to recommend it. Then the Labor government did not implement the recommendations anyway. What a frustration..
This supplementary submission to the Higher Education Base Funding Review is in support of improved preservice music education as provided to primary school teachers by university schools of education.
This submission to a government review in 2011 sets forth a detailed picture of the resourcing of tertiary music education in Australia. It is still a fairly accurate description in 2016.
Victoria’s Andrews Labor government has carried through on the recommendations of an inquiry into school music education instigated by the preceding Naphthine government. The School Music Action Group looked ahead to likely developments in 2016.
Following upon the Arts Minister George Brandis’s raid on Australia Council funds, the arts community caused a Senate inquiry into the Coalition governments arts funding. This article reports on the outcomes.
A ground breaking study of El Sistema-inspired programs at two Victorian low socio-economic schools has shown that they dramatically improved the scholastic and personal wellbeing of disadvantaged children.
Music is used in a myriad of settings to foster the physical and psychosocial wellbeing of people. But there’s a dark side to the application of anything with the kind of potency music possesses. Often those in music’s forceful embrace can find themselves struggling with the cultural, environmental and economic restrictions that may come with this choice.
While there were some disappointments in the numbers for 2014, generally speaking attendance figures are fairly stable, writes Chris Bowen. Internationally, there was decline and strong evidence that the audience is ageing and not being fully replaced from below.
The Music Trust’s monthly ezine has music news, articles, reviews, goss from Australia and all over the world. CLICK for current edition.
Some stories from the current edition:
The Music Trust’s Music in Australia Knowledge Base is the principal source on Australian music sector facts, figures and issues. It covers the entire music sector including the music industry, music education, and music in the community. This superior source constantly takes new steps to understand the future — including the milestone 2014-16 scenario planning project.
The Knowledge Base content is prepared by authoritative writers, contributing their work freely. Readers are invited to comment, contribute or suggest new content. Guidelines for Contributors allows your personal style to fit in. Please contact us with original material or changes to existing articles.
See the full-size Tree of Knowledge. Despite its rapid development many gaps remain. Do have a look - we need help to fill the gaps!